Hi! My name is Emily O’Malley, and I’m Hannah’s roommate. I’d like to think that we lucked out; it isn’t every day that your roommate is also in your major! Since I didn’t plan on majoring in English before starting... Continue Reading →
Poor Grammar. It has such a strong, hateful stereotype, doesn't it? People call it unnecessary, ugly, devious, and even sadistic. But Grammar and its convention henchmen are actually quite helpful and vital to the English language, at least literarily. The... Continue Reading →
Conversations about my writing usually go something like this: "How is your book going?" "It's going." "When will it be published?" "It's a work in progress," I usually say with a sigh. And it is. Compiling a book of any... Continue Reading →
Happy Friday! This weekend, I'm planning on seeing a comedic play about the relationship between Edgar Allan Poe and Emily Dickinson, which made me think of doing something like this. Here's a humorous piece that places modern-day labels on famous... Continue Reading →
There is a librarian who organizes fluttering memories. The birds fly in with ebony words smeared on their wings and they always soar with more questions than answers; her thoughts are dust-covered dancers twirling behind crumbling books locked in skyscraper-shelves;... Continue Reading →
In writing, one may choose to use several different persons or perspectives to convey a story to a reader, including first person ("I"), second person ("you"), or third person ("they"). Many modern authors have experimented with writing in second person,... Continue Reading →
Between the crevices in the syntax, the sentence, the subject, punctuation serves as an altar to ideas that cannot be connected by splinters or nails. Exclamation marks that yell also scream out tales. Gentle commas swirl into periods, like... Continue Reading →